Once you have the hang of it, complete the process with the rest of the video. In order to save time, practice with a single still image of the footage until it looks right. Make sure that the correction layers for the original video footage are disabled. When the footage is done with this process, put the animation folder under the original video footage, set the original video footage to clip to the layer below.
#Keylight software features manual
Import each image back into the animation in an animation folder so that they line up with the footage in both posistion and timing.Īny manual touch-up on top of the footage should be done at this point to prevent the next step from going haywire.įor each and every image, you'll need to go to Edit > Convert brightness to opacity. Render the video out as an image sequence. Under the Gradient preview in the pop-up window you should see little ^ markers.ĭrag the ^ on the far left towards the right until the contents of the video turn black. Otherwise the greenscreen will visibly show through outside the edges.Īdd a Gradient Map layer with a grayscale gradient on top of the existing layers. IMPORTANT! The edges should not be completely solid color, we need a soft fade to grayscale around the inset of the video contents! (If one Tone Curve layer isn't enough, add another.) If there are any artifacts, you may have to mess with the RGB tone curve. It's important to have the tone curve first.īoth blue and red, take the very bottom left point and drag them all the way to the top. Only the contents of the video that were rendered as black in the export will be fully visible.Ĭorrection layers are you friend, we will use the Tone Curve layer, and Gradient Map layer. The original video will be set as a clipping mask to the re-imported frames after this process.
The video will then be exported as an image sequence and re-imported.Īnything that is grayscale will be rendered as transparent due to the nature of "convert brightness to opacity" It is important that they are not completely solid but have an inset grayscale fade to prevent the greenscreen fom showing through. The goal is to edit the footage so that the greenscreen is white and the contents of the video are black. It is not automatic and requires finesse.
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